Jaina attitudes towards animals: Ahiṃsā, lāñchana symbols and zoomorphic sculptures

Authors

  • Julia A. B. Hegewald University of Bonn

DOI:

https://doi.org/10.13135/1825-263X/12117

Abstract

In this article, I examine attitudes towards animals in a Jaina religious context in India. The Jainas practice strict vegetarianism and with their core concept of ahiṃsā (not harming others), they go even further. They are not only meant to avoid doing violence to animals, but are also encouraged to actively care for them. As this is seen as a religious act, many of their temple complexes have birdhouses adjacent to shrines as well as shelters and animal hospitals close by.

  • We also encounter animal depictions in the areas of art and architecture. In Jaina iconography, there are theriomorphic symbols associated with most of the twenty-four Jinas, the human but enlightened teachers and main objects of veneration in Jainism. As the fully-liberated Jinas all look the same, individual identifying symbols (lāñchanas) were introduced during the Gupta period. In addition to the Jinas, there are also Jaina gods and goddesses. Many of these, too, ride on beasts or even have part-zoomorphic forms themselves.
  • A number of animal depictions also recur in the architecture of the Jaina temple. We typically find lion thrones (siṁhāsanas), which are either heavy stone-built altars¾or in a Jaina context also lighter metal stands¾on which statues are placed for veneration. The employment of the mythical and usually hybrid sea animal of the makara, for instance, is widespread in the design of arches (makaratoraṇas) decorating the inside and outside of temple structures. Similarly composite creatures, known as yāḷis, adorn the balustrades flanking temple structures. Makara or cow depictions also adorn water spouts found in Jaina sacred contexts. In addition, elephant depictions recur in the iconography of the goddess Lakṣmī (Gajalakṣmī) and prominent elephant sculptures are connected with the entrance gateways and porches of Jaina temple edifices and larger complexes.

This shows that Jainas regard animals with great respect and invest many of them with particular sacred meanings. This gives them a prominent place in their philosophy as well as in the context of figural representations and temple settings.

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Author Biography

Julia A. B. Hegewald, University of Bonn

Julia A.B. Hegewald has been Professor of Oriental Art History and Head of the Department of Asian and Islamic Art History at the University of Bonn since 2010. She was Reader in Art History at Manchester University, a postdoctoral Fellow (DFG) at the South Asia Institute of Heidelberg University and a Research Fel-low at University College Oxford. She studied at the School of Oriental and African Studies (SOAS), University of London, from where she also holds a PhD. She obtained her Habilitation from the RWTH Aachen. Her research areas are water architecture, Jaina temples, re-use theory and dependency studies. Julia can be contacted at: julia.hegewald@uni-bonn.de

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Published

2025-07-21