“AGFA Note Fotografiche” tra periodical studies e format theory

Abstract

This article offers one of the earliest scholarly analyses of “Agfa Note fotografiche”, the Italian house organ of the German film manufacturer AGFA, situating it within the trans- formation of European media culture during the interwar period. Published during AGFA’s expansion into Italy in the 1920s, the magazine not only promoted technical education and visual literacy in amateur photography and cinematography but also showcased AGFA’s technological innovations to the new market. Using the frameworks of periodical studies and format theory, this research examines the interplay between the magazine’s material production and its role within the broader media ecosystem. It shows how “Agfa Note fotografiche” evolved from a direct replication of its German counterpart, “Agfa Photoblätter”, to a culturally localized product, adapting its communication strategies to better engage with Italian amateur photographers and filmmakers. By integrating technological discourse with modern visual culture, “Agfa Note fotografiche” positioned itself as both a commercial tool and a platform for cultural mediation. Bridging industrial innovation with the aspirations of an expanding consumer base, the magazine became a significant player in the evolving media landscape of the early 20th-century Italy, fostering a dialogue between technology, aesthetics, and the demands of modern visual culture.