Città sullo schermo. Prospettive filosofiche sulla realtà filmica

Autor/innen

  • Alberto Baracco Università degli Studi di Torino

DOI:

https://doi.org/10.13135/2384-8987/924

Schlagworte:

Film World, Hermeneutic Phenomenology, Film as Philosophy

Abstract

The concept of film world appears particularly effective in film studies because it identifies movies both as worlds to be perceived, which emotionally involve the filmgoer, and worlds to be interpreted, which call for a philosophical enquiry on their meanings. Adopting a hermeneutic phenomenological approach, this article addresses film ‘reality’, especially with regard to the relationship between film and philosophy. Emphasizing incommensurability among different film worlds, it explores two different screened cities: New York (Manhattan, Allen 1979) and Dogville (Dogville, von Trier 2003).

Downloads

Veröffentlicht

2015-06-30

Zitationsvorschlag

Baracco, A. (2015). Città sullo schermo. Prospettive filosofiche sulla realtà filmica. RiCOGNIZIONI. Rivista Di Lingue E Letterature Straniere E Culture Moderne, 2(3), 7–34. https://doi.org/10.13135/2384-8987/924

Ausgabe

Bd. 2 Nr. 3 (2015)

Rubrik

CrOCEVIA

Lizenz

RiCognizioni is published under a Creative Commons Attribution 4.0 International License.

With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute and/or copy their contribution. The work must be properly attributed to its author.

It is not necessary to ask further permissions both to author or journal board.