Città sullo schermo. Prospettive filosofiche sulla realtà filmica

Auteurs

  • Alberto Baracco Università degli Studi di Torino

DOI :

https://doi.org/10.13135/2384-8987/924

Mots-clés :

Film World, Hermeneutic Phenomenology, Film as Philosophy

Résumé

The concept of film world appears particularly effective in film studies because it identifies movies both as worlds to be perceived, which emotionally involve the filmgoer, and worlds to be interpreted, which call for a philosophical enquiry on their meanings. Adopting a hermeneutic phenomenological approach, this article addresses film ‘reality’, especially with regard to the relationship between film and philosophy. Emphasizing incommensurability among different film worlds, it explores two different screened cities: New York (Manhattan, Allen 1979) and Dogville (Dogville, von Trier 2003).

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Publiée

2015-06-30

Comment citer

Baracco, A. (2015). Città sullo schermo. Prospettive filosofiche sulla realtà filmica. RiCOGNIZIONI. Rivista Di Lingue E Letterature Straniere E Culture Moderne, 2(3), 7–34. https://doi.org/10.13135/2384-8987/924

Numéro

Vol. 2 No 3 (2015)

Rubrique

CrOCEVIA

Licence

RiCognizioni is published under a Creative Commons Attribution 4.0 International License.

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