Città sullo schermo. Prospettive filosofiche sulla realtà filmica

Autores

  • Alberto Baracco Università degli Studi di Torino

DOI:

https://doi.org/10.13135/2384-8987/924

Palavras-chave:

Film World, Hermeneutic Phenomenology, Film as Philosophy

Resumo

The concept of film world appears particularly effective in film studies because it identifies movies both as worlds to be perceived, which emotionally involve the filmgoer, and worlds to be interpreted, which call for a philosophical enquiry on their meanings. Adopting a hermeneutic phenomenological approach, this article addresses film ‘reality’, especially with regard to the relationship between film and philosophy. Emphasizing incommensurability among different film worlds, it explores two different screened cities: New York (Manhattan, Allen 1979) and Dogville (Dogville, von Trier 2003).

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Publicado

2015-06-30

Como Citar

Baracco, A. (2015). Città sullo schermo. Prospettive filosofiche sulla realtà filmica. RiCOGNIZIONI. Rivista Di Lingue E Letterature Straniere E Culture Moderne, 2(3), 7–34. https://doi.org/10.13135/2384-8987/924

Edição

Vol. 2 N.º 3 (2015)

Secção

CrOCEVIA

Licença

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